Off-Modern Onions

Back to the Periodic Reminder that My Calling Has Always Been Fraught

Karel Ooms, Rembrandt and His Patron Jan Six. Public domain, via Wikimedia Commons

I both love and hate the process of research—at least the meaning that term has in the humanities, where one fact or item or thought could lead you down fifteen different and maybe equally valid paths; where the possibilities are never-ending, and where, quite often, you just have to draw a line and scribble hints about getting to the next project once you’re done with this one.1

It becomes even more frustrating when you’re on your own, with no institution backing you in any number of fundamental ways: access to obscure publications and/or colleagues who’ll sit down and talk to you about puzzling points or blocks in the road; a regular paycheck, healthcare that comes with it, and maybe even grants to enhance it all; time and space, if only through sabbaticals, and frequently, places set aside for undisturbed work and quiet, for you to find the information you need and then to sit down and pull it all together. The dread label “independent scholar” so often sneered out by the lucky few with secure appointments, or by grad students confident that they’ll be one of those lucky few in the future, brings with it the accusation of disqualification, a tag applied to an earnest and pitiable quack who still believes they have anything worthwhile to say to the big boys: a failure unable to recognize oneself as such. But the real tragedy of bearing that label isn’t so much the disdain; once you’ve come to recognize the overall toxicity of academia, along with the fact that you want to stay as far away from most of its practitioners as possible, being disparaged by this crowd often feels like an indication that you’re doing something right. The real problem is that lack of access to the resources mentioned above, and the lessened anxiety those resources allow, in terms of whether you’ll be able to see your project to the end.

It’s not that my local library is any great shakes; it wasn’t meant to serve more than the general public’s interest. But it—and really, the librarians who dive into their own research to track down what I’m looking for—is a lifeline, one I’m well aware is under more threat in my crumbling country than ever before. I’ve got a couple of very generous friends who underwrite books I have to buy when it’s impossible to check them out—but I constantly fear, even with their assurances to the contrary, that I’m taking advantage of rare and brilliant souls who not only want to lend a helping hand, but who want to talk to me about what I’ve found and made of it all. Because as I said above, one thing leads to another, and suddenly that one book requires five more to really get to the bottom of what it is you’re trying to do, and those five other books sure aren’t cheap.

Of course, some version of this problem has always plagued artists and writers; if you were lucky enough to find a patron back in, say, the sixteenth century, you had to walk that fine line between really going for your own thing and not offending your benefactor in a way that meant the money, and maybe the ability even to safely show your face in that city-state, period, would come to an end. And Wallace Stevens and Franz Kafka and any number of greats somehow found time to support themselves, and often handsomely so, with demanding day jobs and still churn out magnificent stuff.2 In other words, I have no cause to complain, and really just need to buck up and do what I can. And here’s the weird thing: yes, I do wish I had much more time, money, space, and many more connections available to me. But I do have the essential thing without which any of those other factors would be useless: a nutty, probably overly enthusiastic brain that can’t stop drawing connections and falling in love with a strangely high percentage of ideas and creations and situations that come my way.

My problem used to be the fear that I’d never be able to think up anything to write about. Now that all sorts of possibilities are banging around in my skull (and if all goes well, will mean I’ll have to take a bit of a break from weekly blogging in order to attend to them), I’m sure even the tenured post I used to crave would probably bring up just as many sources of frustration—teaching and committee responsibilities and departmental personalities and etc.—as my current state of precarity does.3

I don’t want to wrap this up with a tidy little Hallmark bow and claim that voilà, it’s all for the best! The struggle makes us more authentic! If you’ve stuck with me, I’ll just offer thanks for having accompanied me along this regular back-and-forth between despairing envy of the more well-heeled and acknowledgment of belonging to a long line of unknowns who’ve grappled, and will always continue to grapple, with the same sorts of issues and frustrations. At least we haven’t just thrown up our collective hands and called a grand halt to the general attempt to contribute something to the world of thought or art or whatever. Let’s keep at it, the best that we can.




1. I can’t make any claims about what “research” in other fields entails. There are different requirements for how research is conducted—via greater use of statistics, or different valuation of (different sorts of) interpretation, etc.↩
2. There’s also today’s “content-creating” entrepreneurial crowd—which is great for them, if they’re willing to remove most boundaries between themselves and the public, and constantly be on, tending to social media and their own vastly expanded bevy of patrons. But that’s its own realm of disquiet that doesn’t serve the long, slow projects I keep trying and hoping to complete.↩
3. Of course, even the onetime stability of a tenured position is now under threat, along with so much else.↩

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